The Sirje Kiin private archive was formed as the result of the professional and creative activities of the journalist, literary scholar and critic Sirje Kiin (b. 1949). It includes material from the early 1960s to the early 2000s. Its most valuable parts are the very extensive correspondence with many cultural figures of the day, and diaries in which, among other things, the cultural and political climate of the 'hot' autumn of 1980 is described. Starting with protests by youth against the russification policies, and the suppression of these protests by the security forces, it led to the writing of a famous letter by 40 intellectuals, an open letter from Soviet Estonian cultural figures protesting against the increasing russification.

The interview with Jiří Gruntorád was carried out by Milan Otáhal in 2003 during two different sessions. The interview was conducted within the framework of the project “Elites and contra-elites during the so-called normalization period”.

The interview took place at the workplace of Jiří Gruntorád in the library Libri Prohibiti. Jiří Gruntorád wished that only Milan Otáhal asked questions because he was shy and not used to talking about his life. In both of these interviews, Jiří Gruntorád primarily talked about his dissent activity and answered questions about his private life, but only briefly, as he did not want to pursue this subject and did not consider it important.

In the first interview, he talks about his childhood, he mentions, importantly, that he never joined the Pioneer (was a youth Marxist-Leninist organization in communist Czechoslovakia. Although the organisation proclaimed to be voluntary, every child was expected to join from the age of six), although it was usual at the time, and was not even a member of the Socialist Youth League (Svaz socialistické mládeže) later. At the time when Jan Palach set himself on fire, which in his own words influenced him very much, he protested at school, for example, against the mandatory observation of Gustav Husák's speeches by turning his back to the screen. In the conversation, Otáhal and Gruntorad spoke a lot about Gruntorad´s history of dissent, his arrest, his memories of interrogations, his activities within the VONS (The Committee for the Defense of the Unjustly Prosecuted), Charter 77, etc.

This interview is by its contect and detail the unique testimony of Gruntorad's memories of not only his involvement in dissent and activity in opposition to the regime, but also the opportunity to recognize the personal and private life of this well-known and important person of cultural opposition in the former Czechoslovakia, as well as his activities after the year 1989.

Museum Kampa was opened in 2003 as part of a contract between Meda Mládková (the Jan and Meda Mládek Foundation) and the City of Prague. Prague rented the building Sovovy Mlýny to the foundation and the foundation donated one part of the collection to the City of Prague. The exhibition covers topics connected to the art of Central Europe.

"In the book Remembrance and Admonition (with the subtitle "Personal records from 1945 to 1953), Anton Vovk makes notes about events, phenomena and persons in the first decade of the communist terror, the persecution of priests and intellectuals, the methods of the People's Protection Department and similar repressive organisations, and, above all, his personal experience with the communist regime and the many interrogations to which he was subjected year after year. He presents his own martyrdom very calmly, but vividly, when the indoctrinated mob poured gasoline over him and set a fire in a train car, with which he came to Novo Mesto on January 20, 1952, and the months of recovery afterward (he stayed alive because of his agility at those difficult moments)." Hrvoje Hitrec, https://www.hkv.hr/kultura/osvrti-kultura/2205-osvrt-na-knjigu-antona-vovka-qv-spomin-in-opominq.html) Blaž Otrin was the chief editor of the book, who wrote the introduction to the sources and prepared the index of persons.  

The Czechoslovak Documentation Center which is a continuation of the exile Czechoslovak Documentation Center of Independent Literature, handed over its entire collection to the National Museum in 2003. The long-term cooperation between the two institutions was sealed in July 2003 by a donation agreement and a cooperation agreement that regulated the mutual relations of both institutions. The contracts were signed by the General Manager of the National Museum, Michal Lukeš, and the Chairman of the Board of Directors of ČSDS, Vilém Prečan. On October 13, 2003, the occasion of the handing over of the collection fund, a press conference and a gala evening took place at the National Museum.