alternative forms of education
alternative lifestyles and resistance of the everydays
avant-garde, neo-avant-garde
censorship
conscientious objectors critical science
democratic opposition
emigration/exile environmental protection
ethnic movements
film
fine arts folk culture
human rights movements
independent journalism
literature and literary criticism media arts
minority movements music national movements party dissidents
peace movements philosophical/theoretical movements
popular culture
religious activism
samizdat and tamizdat
scientific criticism social movements
student movement surveillance
survivors of persecutions under authoritarian/totalitarian regimes
theatre and performing arts
underground culture
visual arts
women's movement
youth culture
applied arts objects
artifacts
cartoons & caricatures
clothing equipment
film
furniture
graphics grey literature
legal and/or financial documentation manuscripts memorabilia
music recordings
other other artworks
paintings
photos publications
sculptures video recordings voice recordings
The collection reflects the activity of the Romanian-German writer and journalist William Totok, persecuted by the communist authorities for the criticism towards Ceaușescu’s political regime expressed in his literary texts. The William Totok private collection comprises mainly books, literary manuscripts, drafts of academic papers, audio and video documents, and correspondence.
Wojciech Zamecznik's collection represents the early stage of Polish school of poster design. Zamecznik himself has an interesting biography - ex-Auschwitz prisoner, active member of Association of Polish Artists and Designers, who created posters for artistic and political purposes. The collection shows the tension between the official language of socialist posters and private photographs, more intimate and portraying the everyday life.
The Woman and Society Feminist Collection at the Centre for Women's Studies in Zagreb consists of one register containing the manuscripts from the lecture cycle which was organized by the "Woman and Society" Section in 1982/83. The lectures dealt with the “woman question” in the historical context, as well as the “woman question” issues in socialist self-management and Marxist theory. The Collection testifies to the engagement of a smaller number of intellectuals who sought to put the “woman question” into public focus, thus affecting the improvement of the status of women in Yugoslavia, while the authorities argued that it was unnecessary because they thought that the ˝woman question˝ was resolved within Marxism.
The Women’s Activism in Kosovo collection belongs to the Kosovo Oral History Initiative, and contains Kosovan women's vivid personal stories, which often intersect with broader historic events within Yugoslavia from 1945 to 1999. It depicts women's specific forms of engagement and resistance in protests against the Yugoslav regime, as well as their fight for women’s rights. The Women’s Activism collection offers a unique online archive of oral records, giving visibility and permanence to a history of women’s experience, which has been consistently marginalized, if not forgotten. To date, the collection contains thirty interviews with women activists, of which twenty-five are Albanian, three are Serbian, and two are of other nationality.