alternative forms of education
alternative lifestyles and resistance of the everydays
avant-garde, neo-avant-garde
censorship
conscientious objectors critical science
democratic opposition
emigration/exile environmental protection
ethnic movements
film
fine arts folk culture
human rights movements
independent journalism
literature and literary criticism media arts
minority movements music national movements party dissidents
peace movements philosophical/theoretical movements
popular culture
religious activism
samizdat and tamizdat
scientific criticism social movements
student movement surveillance
survivors of persecutions under authoritarian/totalitarian regimes
theatre and performing arts
underground culture
visual arts
women's movement
youth culture
applied arts objects
artifacts
cartoons & caricatures
clothing equipment
film
furniture
graphics grey literature
legal and/or financial documentation manuscripts memorabilia
music recordings
other other artworks
paintings
photos publications
sculptures video recordings voice recordings
The collection of the Church of the Brethren contains samizdat spiritual and religious literature, samizdat hymnals, and illegal recordings of religious music and gospel music. These include Bible editions published abroad, recordings of the Mission Youth Choir, the Kvapôčky [Droplets] Choir, bibliographical and historiographical studies, and an extensive musicological work by Juraj Potúček on the works of sisters Mária Royová and Kristína Royová.
The Circle of History Students was a society for history students and lecturers at the University of Tartu during Soviet times which was officially part of the Students' Scientific Union. Although it was an official organisation, the Circle of History Students offered space for relatively free discussions between students and lecturers. It was a breeding ground for the growing protest spirit in the late 1980s. The Circle of History Students archive, which is preserved today in the National Archives of Estonia, contains various documents about its activities. Although it followed the formal rules for Soviet public speaking, these documents also display ironic and critical attitudes towards the regime, and reflect the free atmosphere for research and communication in the society.
The collection, which is the private property of István Viczián, illustrates the history of the Calvinist youth organization of Pasarét under socialism. The collection includes letters and photographs, which provide insights into the aspirations of the group to create an active religious community in an era when such communities were a threat to and contradiction of official communist youth policy.